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Daniel Smith Extra Fine Watercolor - Shadow Violet, 15 ml Tube

Daniel Smith Extra Fine Watercolor - Shadow Violet, 15 ml Tube

Regular price $15.19 USD
Regular price $23.12 USD Sale price $15.19 USD
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Pigment Information

This color contains the following pigments:

PO73-Transparent Pyrrole Orange

PB29-Ultramarine [Blue]

PG18-Viridian


Pigment Name

PO73-Transparent Pyrrole Orange

Pigment Type

organic, aminoketone

Chemical Name

dipyrrolopyrrol

Properties

Transparent Pyrrole Orange is a yellow-shade orange with optimum performance; high saturation and excellent durability, excellent bleed resistance, and intrinsic strength coupled with good opacity and moderate rheology. It is semi-opaque, less opaque than Cadmium Orange.

Permanence

Transparent Pyrrole Orange has been demonstrated to have excellent stability and lightfastness in automotive applications.

Toxicity

The Australian government's Department of Health and Aging, reported in its Summary Report: NA/238 that Irgazin DPP Orange 16AOA is likely to be of low oral and dermal toxicity in humans and to be non irritating or very slightly irritating to the ey

History

Irgazin Orange was developed as a lead-free alternative opaque orange pigment. It is used in decorative, industrial, and automotive applications, often to color plastics and polymers.


Pigment Name

PB29-Ultramarine [Blue]

Pigment Type

inorganic

Chemical Name

complex silicate of sodium and aluminum with sulfur

Chemical Formula

Na8-10Al6Si6O24S2-4 or Na6-8Al6Si6O24S2-4

Properties

Ultramarine is the standard warm blue, a brilliant blue pigment that has the most purple and least green in its undertone. It has a moderate to high tinting strength and a beautiful transparency. Synthetic Ultramarine is not as vivid a blue as natural Ultramarine. Ultramarine dries slowly in oil and tends to produce clean, though granular, washes in watercolor. French Ultramarine mixes well with Alizarin colors in oil and watercolor form to create a range of purples and violets. It can dull when mixed with white in acrylic form, but mixes well with other colors. The shade varies based on manufacturer. Considered a great color for glazes, it is not suitable for frescoing.

Permanence

Ultramarine has excellent permanence, although synthetic Ultramarine is not as permanent as natural Ultramarine. It may discolor if exposed to acid because of its sulfuric content.

Toxicity

Ultramarine has no significant hazards.

History

The name for this pigment comes from the Middle Latin ultra, meaning beyond, and mare, meaning sea, because it was imported from Asia to Europe by sea. It is a prominent component of lapis lazuli and was used on Asian temples starting in the 6th century. It was one of the most expensive pigments in 16th century Europe, worth twice its weight in gold, and so was used sparingly and when commissions were larger. Ultramarine is currently imitated by a process invented in France in 1826 by Jean Baptiste Guimet, making blue affordable to artists and extending the range of colors on their palettes.


Pigment Name

PG18-Viridian

Pigment Type

inorganic

Chemical Name

chromium(III)-oxide dehydrate

Chemical Formula

Cr2O3 bull2H2O or Cr2(OH3)

Properties

Viridian is the standard green and is stable, powerful, and cold with an emerald green undertone. It has a transparent hue, good tinting strength, a dark masstone that can be almost black at full strength, and a slow drying time in oil form. Viridian is commonly replaced by the darker, more saturated, and staining Phthalo Greens, but its properties make it a necessary part of the palette of an experienced landscape painter.

Permanence

Viridian has excellent permanence, except in high-temperature work, and is highly valued as a glazing color.

Toxicity

Viridian is slightly toxic.

History

Viridian's name comes from the Latin viridis, meaning green. The process for manufacturing Viridian, or Transparent Oxide of Chromium, was patented by Guignet in Paris in 1859. However, it had actually been discovered by Pannetier and Binet in 1838. Viridian replaced Verdigris, which was reactive and unstable, and Emerald Green, which was a poisonous copper aceto-arsenite used as a rat poison in the sewers of Paris.

DJ284600188
TU
1
Watercolors
0.06
DS W/C 15ML SHADOW VIOLET

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